| Proposed
Schedule |
Saturday 29th April
| 10.30 11.00 | Welcome
Delegates |
(Earl Grey and Shortbreads) |
| Panel One: |
Chair: Christian Billing (Warwick) | |
| 11.00 11.30 | Mark Dooley (Teesside) | Soft, daughter, you must know whether I will have you a son:Female Bodies and Boy Players in the Plays of John Lyly. |
| 11.30 12.00 | Kate Chedgzoy (Warwick) | Hand to strange hand, lippe to lippe: The Status of the Female Body in Recent Work on Early Modern Lesbianism' |
| 12.00 12.20 | Questions
and Discussion |
|
| 12.20 13.30 | Lunch
Break |
|
| Panel Two: |
Chair: Ronnie Mulryne (Warwick) | |
| 13.30 14.00 | James Knowles (Stirling) | Prorsus inutilis ad thorum: absolutely useless in bed, or male marriage and Turkish sexuality in Epicoene. |
| 14.00 14.30 | Richard Dutton (Lancaster) | 'The Early Stuart Afterlives of Epicoene' |
| 14.30 15.00 | Alison Findlay (Lancaster) | To be perfectly Frank : Cross-dressing in Jonsons The New Inn and Bromes The Damoiselle. |
| 15.00 15.30 | Questions
and Discussion |
|
| 15.30 - 16.15 | Coffee
Break |
|
| 16.15. - 17.15 | Keynote
Speaker Susanne Wofford (Wisconsin-Madison) |
"Manifest women, error personae, and the 'motion' of a bride: Staging the Rhetoric of the Female Body in the Renaissance Theatre" |
| 17.15 17.45 | Questions
and Discussion |
|
| 17.45 19.00 | Long
Break |
|
| 19.00 21.00 | Performance of Epicoene | (in the Theatre Studies Studio) |
| 21.00 21.30 | Questions
and Discussion |
(with Company, in Studio) |
| 21.30 22.30 | Informal Drinks Reception | (Hosted by Theatre Studies) |
Sunday 30th April
| 09.30 10.30 | Delegates
Breakfast |
|
| Panel
Three: |
Chair: Margaret Shewring (Warwick) | |
| 10.30 11.00 | Dympna Callaghan (Syracuse) | Looking Well to Linens:Women and Cultural Production in Othello and Early Modern England. |
| 11.00 11.30 | Clare McManus (Queens Belfast) | Provisional Title: Staging the Female Body: Boy Actors and Female Players in Epicoene and The Masque of Queens. |
| 11.30 12.00 | Melinda Gough (Oklahoma State) | 'Henrietta Marias English Adaptations of Female Performance at the French Court' |
| 12.00 12.30 | Questions
and Discussion |
|
| 12.30 13.30 | Lunch
Break |
|
| Panel
Four: |
Chair: Kate Chedgzoy (Warwick) | |
| 13.30 14.00 | Bridget Escolme (Workshop Theatre, University of Leeds) | Theatrical Contructions of the early modern subject: Webster's Women in single gender castings. |
| 14.00 14.30 | Lisa
Hopkins (Sheffield Hallam) (to be confirmed) |
'With the Skin Side Inside: The Interiors of The Duchess of Malfi' |
| 14.30 15.00 | Questions
and Discussion |
|
| 15.00 15.30 | Coffee
available |
|
| Panel Five: | Chair: Carol
Chillington Rutter (Warwick) |
|
| 15.30 16.00 | Kathleen McLuskie (Southampton) | Provisional Title: Sex and dress in early modern drama. |
| 16.00 16.30 | Marion OConnor (Kent at Canterbury) | Provisional Title: Cross-Dressing as a Theatrical Convention in Twentieth-Century Productions of Early Modern Drama |
| 16.30 17.00 | Simon Shepherd (Goldsmiths' College, University of London) | 'So what IS the female body?' |
| 17.00 17.30 | Questions
and Discussion |
|
| 17.30 17.45 | Summing Up |